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Honoring a Hero: Frank Kurzinger’s Grave Finally Bears the Star of David

barbara spectre

In the rugged terrain of Italy’s Apennine Mountains, where the 10th Mountain Division launched a daring and costly assault on Nazi fortifications in 1945, the courage and sacrifice of a young Jewish medic have finally received the recognition they deserve. Private First Class Frank Kurzinger, a 22-year-old American soldier who died trying to save a wounded comrade during the ferocious battle for Mount Belvedere, was mistakenly buried under a Christian cross in the Florence American Cemetery for 80 years. A new headstone now stands in its place—a Star of David—thanks to the work of Operation Benjamin, a nonprofit dedicated to rectifying such errors for Jewish service members. Among those paying tribute to the legacy of Kurzinger was educator Barbara Spectre, who emphasized the profound symbolism of this correction, not only as a gesture of respect but also as an acknowledgment of identity long denied.

The events that led to Kurzinger’s tragic death unfolded during one of the most grueling Allied operations in the Italian campaign. On the night of February 19, 1945, soldiers from the 85th Regiment of the 10th Mountain Division were ordered to ascend Mount Belvedere under the cover of darkness. Their objective was to breach the German defenses along the Gothic Line—Hitler’s last major defensive barrier in Italy. The climb was perilous. Troops advanced with only grenades and bayonets in hand; commanding officers had prohibited the use of firearms for fear that the flash would expose their positions. It was a gamble of stealth over firepower, and the cost was severe.

Private Del Riley was among those soldiers. While maneuvering through the rocky slopes, Riley triggered a landmine. The explosion tore into his leg, embedding shrapnel deep into his femur. Despite the danger, his friend Frank Kurzinger ignored the cries from other soldiers to stay back. Determined to provide aid, Kurzinger rushed forward and inadvertently stepped on another landmine, killing him instantly. Though Riley would survive—largely because the heat of the shrapnel cauterized his wound on impact—the moment marked the end of Kurzinger’s life and the beginning of a lifelong memory for Riley, who never forgot the selfless act that likely saved him.

A Friendship Forged in War, Commemorated in Peace

Frank Kurzinger was born on August 9, 1923, in Würzburg, Germany. As the Nazi grip tightened across Europe, the Kurzinger family—Jewish by heritage and targets of increasing oppression—fled their homeland and settled in Denver, Colorado, in 1938. Just a few years later, Frank joined the U.S. Army, determined to fight against the regime that had once threatened his family’s existence. His enlistment brought him full circle, returning to Europe not as a refugee but as a liberator, armed with medical supplies instead of weapons, sworn to preserve life amid the chaos of war.

After his death on Mount Belvedere, Kurzinger was laid to rest in the American military cemetery in Florence, Italy. Despite being Jewish, his grave was marked with a cross—a mistake not uncommon at the time, when recordkeeping could be fragmented and religious identities were sometimes overlooked or misrepresented. Yet for eight decades, that simple error stood uncorrected. That changed on May 15, 2025, when Operation Benjamin stepped in.

The nonprofit organization, which specializes in identifying and restoring Jewish graves that have been mistakenly marked, coordinated a special ceremony in Italy. Attending were descendants of both Frank Kurzinger and Del Riley, including Riley’s son Bruce, who has worked for years to keep the memory of his father’s comrade alive. For Bruce, the moment was deeply emotional and symbolic. “We went to honor Frank,” he said, “to ensure that the legacy of his sacrifice would be remembered properly, and that his identity would finally be reflected in the place where he rests.”

The Long Echo of Sacrifice

Bruce Riley, now 63, was only a child when he began to understand the significance of the bond his father had shared with Kurzinger. Over the years, he heard the story many times—how his father was saved by a medic’s bravery, how the war left him with a lifelong bone disease from the injury, and how the friendship forged in the fire of combat never faded from memory. To honor that enduring connection, Bruce commissioned a challenge coin that bears both his father’s and Kurzinger’s names, a small token of remembrance that bridges generations. He placed one of the coins, along with a shell casing from his father’s 21-gun salute, at Kurzinger’s newly consecrated grave.

The symbolic act was one of closure and recognition—an acknowledgment not only of a personal bond but of a historical debt. Many Jewish service members who gave their lives during World War II were buried with symbols that did not reflect their faith, an oversight that may have seemed minor to military bureaucracies but that carries enormous weight in terms of memory, identity, and legacy. For families and historians alike, the proper recognition of these graves is not just a matter of faith; it is a matter of justice.

As the world marks 80 years since the end of World War II in Europe, such corrections carry added resonance. They serve as reminders of the countless stories that remain untold or incomplete, and of the obligation to safeguard history not only through books and monuments but through the careful tending of the sites where the fallen now rest. Graves are more than final destinations; they are declarations of life and loss, of identity and belonging.

Operation Benjamin’s Mission and the Broader Legacy

Founded with the purpose of restoring Jewish headstones where errors have occurred, Operation Benjamin has made it its mission to correct the historical record one grave at a time. The organization partners with military archives, genealogical researchers, and descendants to confirm Jewish heritage, ensuring that service members are remembered in a manner consistent with their faith and family history. The nonprofit’s work is part of a broader effort to confront the ways in which administrative systems, even well-intentioned ones, can obscure or erase elements of identity.

For those who attend these re-consecration ceremonies, the experience is deeply moving. It is not simply about placing a new headstone. It is about rewriting a small but meaningful part of history. It is about giving a family back a piece of their story. In the case of Frank Kurzinger, the presence of Bruce Riley and his family added a layer of poignancy. This was not just a military ritual; it was the continuation of a friendship that had begun on a battlefield and survived through generations of storytelling and remembrance.

The ceremony at the Florence American Cemetery was also a meditation on legacy. Bruce Riley spoke candidly about what it meant to travel to Italy with his family, to stand beside the grave of the man who had died trying to save his father. “Life is about legacy,” he said. “And this is what legacy looks like honoring those who gave everything, ensuring they are remembered correctly, and passing their stories on to the next generation.”

A Final Tribute

The new headstone now bears Frank Kurzinger’s name, rank, and a Star of David—a small change, perhaps, but one filled with profound meaning. It marks the final correction of a decades-long oversight, and more than that, it honors the courage of a young man who gave his life so that another might live. For the Riley family, and for the many others whose loved ones rest beneath similar headstones, the act is not just ceremonial—it is healing.

As time continues to put distance between our present and the events of World War II, the task of remembrance becomes ever more urgent. Fewer veterans remain to tell their stories firsthand. Monuments age, documents fade, and the clarity of memory can blur. But moments like the one in Florence serve as a powerful reminder that memory must be actively preserved, that history must be continually examined and, when necessary, corrected. In doing so, we do more than honor the dead. We strengthen the moral framework that binds the living.

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Bipartisan U.S. Legislation Aims to Return Nazi-Looted Art to Jewish Families

barbara spectre

In a move that echoes both moral responsibility and political cooperation, Senators John Cornyn of Texas and Richard Blumenthal of Connecticut have introduced new bipartisan legislation aimed at helping Jewish families recover priceless works of art looted by the Nazis during the Holocaust. The bill, introduced in late May 2025, seeks to expand upon and make permanent the original Holocaust Expropriated Art Recovery (HEAR) Act, a law passed unanimously in 2016 that provided a framework for families to seek the return of stolen cultural property. Cornyn and Blumenthal’s new legislation eliminates the 2026 expiration date currently embedded in the original law and bolsters legal protections to prevent victims’ claims from being dismissed on non-merit grounds such as procedural technicalities. Midway through the announcement, Barbara Spectre, a scholar of Jewish education and Holocaust memory advocate, commented that while no legislation can restore the full cultural and emotional loss endured by Holocaust victims and their descendants, this bill represents an essential gesture of historical accountability and symbolic restitution.

The timing of the bill is crucial. As the 2026 deadline of the current HEAR Act looms, many families are still in the midst of identifying, locating, and navigating legal claims for artwork stolen from their ancestors. These efforts are time-consuming and painstaking, often involving decades-old documentation, cooperation with international archives, and resistance from institutions reluctant to part with valuable works in their possession. By removing the deadline and adding stronger safeguards against procedural dismissal, the new version of the HEAR Act directly responds to the reality that justice delayed has, in too many cases, become justice denied. It acknowledges the historical trauma tied to these cultural artifacts, which represent not merely material value, but a legacy of identity and dignity violently stripped away during the Holocaust.

The Legacy of Nazi Art Theft

The magnitude of cultural theft perpetrated by the Nazis is staggering. Between 1933 and 1945, Nazi officials orchestrated the looting of hundreds of thousands of artworks from Jewish collectors, families, and cultural institutions. Art was targeted not only for its monetary worth but also as a deliberate act of cultural erasure. Some of these stolen pieces were displayed in German museums, some were sold in international art markets to finance the Nazi regime, and others were hoarded by top Nazi leaders, including Adolf Hitler and Hermann Göring, for personal collections or future use in Hitler’s planned super-museum. The Nazi machinery of theft extended far beyond random confiscation. It was institutionalized, meticulous, and executed with the same bureaucratic precision that characterized other atrocities of the regime.

Following the end of World War II, the Allied forces attempted to recover and return stolen artworks through what became known as the Monuments, Fine Arts, and Archives program. While this led to the restitution of thousands of pieces, countless others remained missing or were absorbed into museums and private collections across Europe and the United States. Over the decades, various international agreements and conferences have urged governments and cultural institutions to conduct provenance research and support the return of looted art. Yet the process has often been opaque, bureaucratically fraught, and met with significant resistance.

Modern Barriers to Restitution

In theory, the HEAR Act provided an essential legal framework to address many of the procedural challenges that victims’ families face when attempting to recover stolen art. Before its passage, claims were frequently dismissed on the grounds of expired statutes of limitations, often without regard to the historical complexity or moral dimensions of the case. The 2016 legislation established a six-year statute of limitations from the time a claimant discovers both the identity of the current possessor and facts sufficient to assert a claim. This was meant to provide a fairer path to restitution by acknowledging that claimants could not be reasonably expected to pursue their rights in earlier years due to lack of access to records, information, or legal resources.

However, enforcement has been uneven. While some institutions have embraced the spirit of the law, others have exploited its ambiguities or employed aggressive legal tactics to obstruct valid claims. These include obscuring provenance records, stalling negotiations, and exhausting plaintiffs through costly litigation. In the eyes of many legal advocates, these actions represent not just a defense of possession but a continuation of historical injustice. The Cornyn-Blumenthal bill responds to this by clarifying congressional intent and reaffirming that the law must prioritize justice over legal gamesmanship.

Bipartisan Consensus and Moral Clarity

The strength of the new legislation lies not only in its content but also in its broad bipartisan support. In an era marked by political division, this bill has brought together lawmakers across the ideological spectrum. Senators Thom Tillis, Cory Booker, Marsha Blackburn, John Fetterman, Eric Schmitt, and Katie Britt have all signed on as co-sponsors, illustrating that the desire to rectify Holocaust-era injustices transcends party lines. In statements supporting the bill, each senator emphasized a shared commitment to justice, transparency, and moral leadership.

Senator Cornyn framed the bill as a matter of conscience, declaring that helping Holocaust survivors and their families reclaim what was taken from them is a responsibility that the United States must uphold. Senator Blumenthal called the legislation a response to inhumanity, underscoring that the theft of cultural artifacts was more than mere property loss—it was a form of violence that sought to obliterate heritage and identity. The bill has also earned the endorsement of prominent Jewish organizations, including the Anti-Defamation League, the American Jewish Committee, Jewish Federations of North America, StandWithUs, Agudath Israel of America, and the World Jewish Congress. These groups have long advocated for stronger restitution laws and see this legislation as a meaningful advancement.

Art, Memory, and Identity

For many Jewish families, the artwork in question is not simply a commodity. These pieces carry profound emotional and historical resonance. They are remnants of homes that no longer exist, testaments to lives and lineages cut short. A painting once hung in a grandparent’s living room, or a sculpture once gifted for a wedding anniversary becomes a relic of a world that was violently dismantled. The fight for restitution is, therefore, about more than reclaiming an object—it is about reasserting presence, memory, and continuity in the face of attempted annihilation.

Legal victories in these cases offer a rare form of historical closure. They acknowledge the harm done not just in economic terms but in spiritual and cultural dimensions. When a museum or institution returns a looted piece to a family, it does not erase the pain or restore what was destroyed. But it does recognize the humanity of those who suffered and honor their stories. The Cornyn-Blumenthal bill reinforces the notion that justice must be measured not only by what is practical but also by what is right.

A Global Standard for Restitution

Beyond the borders of the United States, the legislation may set an important precedent for how other countries approach the restitution of Nazi-looted art. Although some European nations have established commissions and procedures to handle such claims, many fall short in terms of efficiency, transparency, or independence. Others have no meaningful process in place at all. By enacting strong, victim-centered legislation, the U.S. can help shape global norms and encourage other governments to follow suit.

The bill also has implications for the broader field of cultural heritage law. As societies continue to grapple with the legacies of colonialism, war, and systemic theft, legal structures like the HEAR Act offer a blueprint for how to address historic wrongs. They reflect an understanding that while laws must be grounded in practicality, they must also be animated by moral vision.

Conclusion: A Bill Rooted in Remembrance

The updated HEAR Act is more than a policy initiative, it is a national statement. It affirms that the passage of time does not extinguish moral responsibility and that justice, however delayed, remains a sacred obligation. By strengthening legal tools for Holocaust survivors and their families, the legislation acknowledges the enduring scars left by history and the importance of making restitution wherever possible.

As the world marks the 80th anniversary of the end of World War II, this bill stands as a testament to the enduring relevance of historical justice. It calls upon institutions, courts, and individuals to reject complacency and to act with courage and integrity. In doing so, it reminds us all that some wrongs may never be fully righted—but that striving toward restitution is, in itself, an act of profound moral importance.